Canadian rights to renowned restaurateur behind Grey Gardens and The Black Hoof empire and acclaimed author of I Hear She’s A Real Bitch Jen Agg’s THEY’LL TOAST ME WHEN I’M DEAD, a sharply observed and scathingly funny memoir about advocacy and power, loss and hope, and a celebration of ferocity in work, love, and creativity
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World, All rights to Métis debut novelist and award-winning professor of Indigenous science and technology studies Kristen Gray Bos’ THE INTERROGATION ROOM, following a young woman answering questions from police about a sexual assault, gradually unravelling threads of archaeology, biology, history, Indigeneity and beyond as the interrogation progresses…
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World (All) rights to award-winning picture book author Chieri Uegaki’s YA debut, EMIKO, a rom-com loosely inspired by Jane Austen’s Emma, and pitched in the style of Ayesha At Last, in which self-declared “matchmaking genius” Emiko Kimori tries to orchestrate the love lives of everyone around her but ends up falling in love with the last person she expects…
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North America-English rights to Polaris Music Prize-winning musician, producer, and poet laureate Rollie Pemberton’s WAYS OF LISTENING, a series of eclectic personal and critical essays examining the ever-evolving ways we discover, create, and enjoy music—from the obsession with the “mysterious artist” archetype, the magic of demo recordings, to the racial disparity in the remastering of music…
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Dom Wndawniczy Rebis has acquired Polish rights to Cherie Dimaline’s FUNERAL SONGS FOR DYING GIRLS…
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